Archive for video advertising

Reinventing the Beauty Industry in the Digital Age

Reinventing the Beauty Industry in the Digital Age

In today’s digital era, the journey to purchasing beauty products has taken on a whole new dimension, thanks largely to the pervasive influence of social media trends. Consumers can no longer rely solely on traditional ads or in-store experiences to find good beauty products. Now, platforms like Instagram, TikTok, and YouTube serve as virtual beauty hubs, where influencers and regular users alike share their favorite products, techniques, and trends. This direct to consumer shift has not only changed how people connect with beauty brands but has also forced companies to rethink their marketing strategies to ensure a solid return on investment (ROI).

Social media’s impact on the beauty scene is undeniable, with trends spreading like wildfire and driving consumer interest faster than ever before. Whether it’s a skincare routine that goes viral or a makeup challenge capturing everyone’s attention, these trends present both challenges and opportunities for beauty brands looking to stand out. By tapping into the power of social platforms through partnerships with influencers, user-generated content campaigns, and contemporary direct to consumer  marketing videos, brands can not only boost their visibility and engagement but also drive real sales and ROI. Brands like Rhode Skin by Hailey Bieber do a great job at capitalizing on the virility of beauty products on social media apps, specifically TikTok. This is in part because the creator, Bieber, gained a lot of her popularity through growing up online and knows how vital it is to build community and dialogue. The brand Glossier has also been able to master engaging the younger generations on social media through digital aesthetics and encouraging “a natural look”, even if the natural look still requires purchasing a lot of products. Essentially, the path to purchasing beauty products has become inseparable from the quick cycle of social media trends, shaping not only what consumers buy but also how they discover, evaluate, and ultimately decide to make a purchase in the beauty industry.  It is important that direct to consumer beauty brands test a variety of tactics on these platforms to ensure success.

The Intersection of Advertising and Entertainment

The Intersection of Advertising and Entertainment

In today’s dynamic landscape, the intersection of advertising and entertainment offers opportunities for brands to connect with audiences while monetizing creative content. This relationship between advertising and entertainment has become increasingly prevalent, with brands seamlessly integrating promotional messaging into engaging content to captivate audiences and drive revenue. At the heart of this intersection lies the concept of branded entertainment, where brands leverage the power of storytelling and engaging experiences to promote their products or services. From product placements in movies and TV shows to branded content on digital platforms, advertisers are finding innovative ways to align their messaging with entertainment content, creating mutually beneficial partnerships that resonate with consumers. This type of partnership can be seen in the new “Mean Girls” musical movie, where the audience can clearly tell that the film was sponsored by e.l.f. cosmetics. Though there was a lot of online discourse about the partnership being too obvious, both the movie and the brand gained traction from it being heavily talked about. 

One of the key drivers of this trend is the changing consumer landscape, where traditional advertising methods are met with skepticism and ad fatigue. Audiences are turning to ad-free streaming services and ad blockers to avoid interruptive advertising, forcing brands to explore alternative avenues for reaching consumers. When utilizing branded entertainment, advertisers can embed their messaging into entertainment content in a way that feels natural and seamless. By integrating products, logos, or brand references into movies, TV shows, or digital content, brands can increase visibility and exposure while enhancing the overall viewing experience for audiences. In addition, the rise of digital platforms and social media marketing has democratized content creation, allowing brands to become publishers in their own right. From sponsored influencer content to branded web series and podcasts, advertisers are leveraging digital channels to create and distribute content that entertains, educates, and inspires consumers. A brand that does an incredible job at this is Duolingo, an app that teaches language. Instead of paying content creators to promote their app, they became the content creators themselves, posting entertaining video advertisements that promotes their business as a whole, yet doesn’t feel forced. 

The intersection of advertising and entertainment represents a compelling opportunity for brands to connect with audiences, drive revenue, and stay relevant in an increasingly competitive landscape. As brand advertisers are becoming savvy with these options, it is time that direct to consumer advertisers start to do the same. By embracing branded entertainment and monetizing creative content, brands can unlock new avenues for growth, return on investment (ROI),  and innovation while delivering meaningful experiences that resonate with consumers. 

The Swift Effect: The Power of a Female Audience 

The Swift Effect: The Power of a Female Audience

2023 was the year of Taylor Swift, as evident in the release of the 2023 Time Magazine Person of the Year. Swift has been a staple in the music industry for the last thirteen years but this year her outreach extended far beyond anyone’s wildest dreams. In the realm of marketing and advertising, Swift has emerged to be a force to be reckoned with. Her influence extends far beyond her chart-topping music, as she has been able to revolutionize marketing strategies by emphasizing brand evolution, audience engagement, and authenticity. A huge aspect of Swift’s success is her dedicated female audience, which largely contributes to her impressive return on investment (ROI). Taking a page out of Swift’s book can help marketers tap into a sense of community for their client’s campaigns. 

Taylor Swift has a unique ability to cultivate deep emotional connections with her predominantly female fan base through her vulnerable songwriting and relatability. Tapping into the universal experiences and emotions of women, the connection fosters a sense of community in her fan base. Swift’s fans are not just listeners, they are advocates who passionately promote her music, concerts, merchandise, and brand partnerships. Women tend to be highly influential in consumer decision-making, especially when it comes to entertainment and lifestyle choices. Swift’s ability to understand and cater to the preferences and interests of her female audience allows her to create targeted marketing campaigns, resulting in higher conversion rates and increased sales. As Taylor knows her female audience loves to search for clues and hints about upcoming music or merch, she subtly drops easter eggs into her content, driving fans to engage further with her work.

Marketers can learn from Taylor Swift’s strategic moves and authenticity to create more successful campaigns for their clients. In reference to social media and digital marketing, Swift successfully utilizes her platforms to directly connect with her audience, giving them exclusive access to her life and creative process. As Swift is known as a more private celebrity, there is a great desire to get a peek into her life and behind the scenes content. Taylor utilizes the power of hashtags in her social media strategy to drive engagement and harness the power of user-generated content. Encouraging her audience to post using hashtags such as #TSErasTour and #TaylorNation pushes her brand out to an even wider audience. This is a technique that marketers should utilize to get free promotion for their client’s brands. If the community feels involved in the success of the brand, they are more likely to become loyal consumers. The power of her female audience became even more apparent with the recent announcement of her relationship to Kansas City Chiefs tight end Travis Kelce. The Chiefs viewership immediately went up by 63% with women viewers aged 18-49 and Kelce’s jersey sales immediately jumped 400 percent. The impact of Swift’s female audience and their buying power speaks volumes here, showing how impressing Swift’s marketing strategies are. Taylor Swift has given a masterclass in marketing in the year of 2023 and there is a plethora of techniques that marketers take from the popstar to ensure their client’s success. 

Is the Barbie movie an infomercial or entertainment?

Is the Barbie movie an infomercial or entertainment?

The lines can blur between advertising and entertainment and none more visible than the recent
blockbuster Barbie movie, based on the popular Barbie franchise. The Barbie movie attracted
much attention and hype worldwide, with Instagram advertising, Tiktok advertising, Facebook
advertising, and other forms of advertising on social media. Because of the widespread
popularity of the movie, Mattel is also working with other companies in collaboration, such as
Burger King’s Barbie meal, Crocs’s Barbie products, Gap’s Barbie wardrobe, and other widely
known corporations in cooperation with the launch of the movie. In addition to selling dolls,
there is additional merchandise with the Barbie brand that can be sold thus extending the brand
beyond just movie tickets and into retail and online sales.

As a matter of fact, an article on The 1014 states, “The marketing efforts have been estimated to
cost $150 million, surpassing the film’s production budget.” From a marketing perspective, this
would definitely make the Barbie movie seem like a huge infomercial and a gateway to other
Mattel products. This move did in fact turn out well, as Mattel’s stock prices are “seeing a 20
percent increase.”

Product placement in films and TV has been prevalent for decades. This is where companies pay
producers to hold that particular can of soda in a scene or use that particular luggage or beauty
product, but Barbie has taken this way beyond product placement and into a whole new echelon
of infomercial entertainment or infotainment.

Recent TV shows such as Ted Lasso and Yellowstone have manufactured merchandise to be sold
with the show themes. In fact in the Yellowstone series, actors from the series appeared in
commercials on set and in character pitching brands that align with the demographic of the
audience. Is Yellowstone then a giant infomercial as well?

Is this the beginning of a greater trend toward blending marketing and entertainment? The public
has embraced the movie with over 1 billion in box office sales, so that would indicate yes. So
now it is up to all of us in marketing and advertising to find new ways to blend advertising and

Is less more in video advertising?

Is less more in video advertising?

Video advertising is one of the most effective forms of digital advertising, and has been an
increasingly larger portion of digital advertising. And lately the trend has been to shorter

Previously, digital video advertisements were generally 30 seconds to a minute long. There are
longer advertisements too, such as direct response tv (DRTV) and infomercials, which can last
two minutes up to 28:30 minutes. But with the recent trends, ads are getting shorter, and can
perform even better than longer video ads. According to Mountain Research, “Six-second ads
delivered 60% of the impact of a traditional 30-second ad” and “15-second ad spots yielded 80%
of the effectiveness of a 30-second ad.”

TV advertising is able to reach a wide demographic of audiences, and performs well in bringing
attention to the brand. Research shows that 15 second ads are about 75% as effective as 30
second ads. In addition, an article from Lever states, “A study from 2020 shows that interactive
CTV ads help marketers achieve a 237% jump in time spent with viewers for 30-second ads.
Moreover, for a 15-second ad, you get a 447% increase in total time with a viewer.” While the
cost for CTV has not yet stabilized and the ROI is not there yet for most DRTV advertisers, the
bridge is being built and early adopters are using this format to communicate messaging and

TikTok, Facebook and Instagram all cater to specific audiences of certain niches and are used
widely by both small and large direct to consumer marketers leading users to their websites to
purchase products or services directly from them. They take advantage of their social media
algorithms by keeping the users hooked on their video ads in multiple ways. For example, one
way may be to start off with a hook to grab the viewer’s attention, then putting a splash of
condensed information in a short time frame so the viewer has to keep watching the video over
and over again, thus feeding the algorithm and sending more users of that certain audience to be
engaged in the same way and the cycle continues (this is one of the most popular methods of
advertising done through Tiktok). Other forms of social media ads can cater to their audience in
a more formal way, giving a small amount of helpful information about a certain service,
product, or topic to hook the viewer, then dropping the advertisement at the end to follow up
with to buy the product or service.

Advertising products or brands online using short video can be more efficient and reliable to
attract audiences and engagements from them, greatly boosting performance marketing. So
whether it is on TV or in digital, remember when it comes to video, less can be more.

How might the SAG-AFTRA Actors Strike affect advertising?

How might the SAG-AFTRA Actors Strike affect advertising?

The SAG-AFTRA Actors Strike began on July 14, 2023. They joined the WGA writers, who
went on strike on May 2, 2023. Both guilds are striking against the Alliance of Motion Picture
and Television Producers (AMPTP), which cover film and TV, including streaming.

Central to the SAG-AFTRA, 160,000 members are demanding increases in pay, revising compensation for
residuals primarily on streaming, as well as the major concern of AI replacing their jobs and

Ron Currie, a striking screenwriter, sums up the mood felt by all with his statement, “I don’t
need a cut of Netflix executives’ stock compensation. What I need — what I demand — is that
they treat me and the people I love as though our lives and labor are every bit as significant as
theirs.” The strike has effectively shut down Hollywood productions as well as theatrical and TV
production in other cities.

While the contracts do not affect advertising, there could potentially potentially be a positive
impact on advertising on both TV and digital advertising in which actors would participate.
To start, more actors would be available for ads as they are not tied up on movies or TV, and
they might be able to work at more competitive rates. Smaller marketers, DRTV marketers and
others that perhaps could not afford celebrity or high priced talent could find those doors opened.
The availability of top crew is also a bonus for smaller projects.

DRTV, CTV, infomercials, direct response TV, etc. could have more ease in negotiating with
these actors. It’s could be a win-win for both the advertising/digital industries and the actors on
strike, as well as the crews and other vendors who normally service the TV and Film industry.

It also may create a more favorable climate for TV rates as many brand marketers may not want
to pay top dollar to run ads on re-runs and reality TV shows only. Thus, the lower rates could
also help performance marketers and DRTV products to achieve better ROI on TV buys.

With the thorny issues of AI and streaming royalties being complex hurdles to overcome, the
predictions are for a long strike and thus time for DRTV and other direct to consumer marketers
to take advantage when they can of wider pool or actors, more depth to crews and potentially
lower media rates. Turning lemons into lemonade is something all can get behind.

Shifting the Direct to Consumer View of Social Media

Shifting the Direct to Consumer View of Social Media

Social media is widely seen as an online platform to communicate with friends and family, along
with taking in news or sharing moments of one’s personal life. Many people around the world
use these social media apps and websites for such personal purposes, but excessive use can lead
to addictions of the media, causing problems such as “Zombie Scrolling Syndrome” (mindless
scrolling on platforms), depression among younger users due to comparing themselves to people
others who they think are “above them”, taking in misinformation, and even leading to physical
problems such as back pains and eye problems. But this can be a tool rather than a burden and
this engaged audience can be open to positive advertising messaging from direct to consumer
marketers who offer products and services which solve problems.

Mindless scrolling and irrelevant information intake are a huge contrast to what can be achieved
when taking advantage of social media and its power. Instead of worrying about Tom Holland’s
thoughts on becoming Spiderman, think about teaching and learning and entertaining by
advertising properly to certain audiences, creating d2c relevant outreach, forming connections
with people of similar interests/passion, and working with positive promotions for people. All of
these things can be done on social media, and the tools and information necessary are there.
Insights, analytics, campaigns, collaboration are incredibly useful tools which are provided by
social media platforms such as Instagram, Facebook, Twitter, TikTok, etc.

Using Social media advertising to enhance people’s lives rather than contributing to the zombie
scrolling can contribute beneficially to the consumer in addition to hopefully turning them on to
products and services which can help make their lives better.
Many direct to consumer marketers realize the value of these tools and concepts, and utilize them
to the fullest extent, while also conducting their own research on things relevant to them (e.g.
hashtags, platform algorithms, etc.). Smaller companies can compete with companies many
times their size in social media by simply keeping consistency with things like posting at the
right time, advertising their products to the right audience, collaborating with other business
owners, etc.

In the end, it is the user who chooses how they use social media, whether it’s to benefit
themselves in a variety of ways, or to be swallowed by the media. The tools to enable good
outcomes for all can benefit both consumers and marketers alike.

Why does so much D2C advertising drive consumers to Amazon?

BANGKOK,THAILAND – ARP 18, 2020 :A woman using laptop showing Amazon logo and credit card shopping online., Inc. American international electronic commerce company.

When a DTC marketer spends money on TV, audio, social or any other channel, why does Amazon receive a huge piece of that pie? 

The answer is simple. 60% of consumers start their product research on Amazon. A large portion of consumers search various channels in search of the right product, and many eventually turn to Amazon due to its reliability. It is important to build a trustworthy relationship with your consumers, which is something Amazon has been successful at. Many brands also turn to Amazon advertising, although not happy about giving away a larger share of their profits.

If a consumer sees an ad anywhere, they are more likely to check Amazon before checking your website or calling your phone number. Whether we like it or not, that is what the consumer feels most comfortable with.  Thus, many brands are actually driving directly to Amazon.  And when brands do that, Amazon rewards them with discounted fees and retargeting.  

As digital advertising continues to increase, regardless of where the ads are viewed, consumer preferences become more understood. As customers are getting more selective with their purchases, marketing products on a platform like Amazon that almost guarantees recognition, loyalty, and sales not only seems like the right idea but a necessity.  As marketers, we must understand that regardless of what we want, we must be where the consumers are.

No matter where you advertise, Amazon has remained consistent as a tool to provide a substantial lift for advertisers and brands. They continued to provide new opportunities and sales for smaller brands and businesses and can be a  successful partner. If you can’t beat them, join them.

Is TikTok setting alarms off at Facebook?

Is TikTok setting alarms off at Facebook?

In 2012 94% of teens had a Facebook account. Now ten years later only 27% of the teenage
demographic say they are on the platform. Where have they gone and will Meta owners of
Facebook, Instagram, and WhatsApp be able to evolve the platforms to stay relevant and
survive? How will this affect digital advertising for direct to consumer (DTC) brands?
Even though Facebook is the largest social media platform with 2.9 billion monthly users, they
have faced tough competition from TikTok. TikTok’s user base continues to grow as does the
time spent on their platform, and they have seen increased ad revenues. TikTok also dominates
the audience once owned by Facebook.
TikTok’s 1 billion monthly users they spend 90+ minutes a day on the platform. Facebook and
Instagram demographics skew considerably older and use the platform about 29 minutes a day.
And best of all, 46% of TikTok users report that they have made a purchasing decision based
on reviewing something on the platform.
In the past when Facebook found that people were spending more time on other social
platforms, they purchased their competition: i Instagram, which it bought for $1 billion in 2012
and WhatsApp for $19 billion in 2014.

Today, instead of purchasing their most dangerous threats, Facebook has decided to be more
like them. Two years ago, to compete with TikTok, Facebook released its own TikTok-like short
form video known as Reels. Reels can be seen on both Facebook and Instagram. However,
people have reported that many Reels are just reposted TikTok videos. Recently Facebook
added a new viewing feed with a “TikTok-like feel” that displays content from people who aren’t
your friends. This “Feeds” feature uses algorithm-curated content and accounts for a fifth of the
content viewed. Even with the views, it doesn’t appear that Reels has done what Facebook had
hoped: having users create and share more content on their platform.
What does this mean for advertisers? The social media advertising landscape is shifting, and
DTC brands need to adapt to meet their customers where they are on each platform. For DTC
brands this means the power of TikTok can not be underestimated, especially for reaching the
Gen Z and millennial demographics.
Even with competition from TikTik and others Facebook is still bulldozing along. Despite
ongoing controversies and emerging competition, Facebook still remains the largest social
platform among consumers and marketers. But let’s face it, their user base is aging and their
CPMs rising. People of all ages now gravitate to video-sharing platforms like TikTok and brands
will need to invest in TikTok advertising to meet them where they are. It is unlikely that
Facebook can maintain its total dominance over social networking forever.



With $2.5 trillion in buying power, the Hispanic market isn’t just an opportunity, it’s a necessity for direct to consumer (DTC) marketers.  According to the 2020 Census, Hispanics make up nearly 20% of the U.S. population, and accounted for 51% of all new population growth. Additionally, Spanish is the second most common language spoken after English in the U.S., with over 41 million people speaking the language. This market is huge,  but according to the Hispanic Marketing council only 6% of the marketing industry’s investment is spent on the Hispanic community.  That leaves a large, untapped market for advertisers to connect and engage with. 

In the past, advertisers would often simply “transcreate” their English ads into Spanish. However, over the years advertisers have learned that this can appear disingenuous and may actually offend the target market.  

Today, although under invested in advertising, this market has evolved.  In recent years advertisers have found success with these tactics. 

  1. Bilingual content: Marketers have Integrated Spanish into their primarily-English Hispanic advertising campaigns, by using Spanish words, phrases, and quotes that appeal to a bilingual audience. 
  2. Culture: Even more important than the language is culture. According to Refuel’s Hispanic Explorer Series™ 2021, Hispanic audiences respond more to ads that reflect their culture, therefore it is important that the audience can see  themselves reflected in advertisements. It is important to ensure that their messages come across as authentic and avoid stereotypes and cliches. 
  3. Spanish at all touch points: Instead of just a Spanish language DRTV ad, social media ad, email, or video ad, advertisers have created landing pages in Spanish, so that Hispanic consumers have a consistent experience across channels when they interact with the brand.
  4. Social media: Social media is a powerful way to reach the Hispanic audience.  Studies indicate that Hispanic consumers are 30% more likely to use any social media than the general population. Tiktok specifically over indexes for Hispanics with 1 in every 5 regular users being a Spanish speaker.
  5. Influencers: More advertisers are using Spanish speaking influencers on social media who can help promote products and services to their audiences to help conversions and sales.

So in these recessionary times of shrinking budgets, perhaps more consideration can be given to the Hispanic consumers, a neglected yet loyal demographic.